CXLI

TODAY I SCREAMED AT SOMEONE IN THE STREET

I SAID: WHY DON’T YOU JUST GO WATCHING

YOUR FUCKING GRANDMOTHER’S CUNT

THAT’S  WHAT I SAID

THIS FUCKING GUY GRINNING AT ME

OH THIS WAS A GREAT SENTENCE

ONE OF MY GREATEST SENTENCES

I WILL LEARN IT

WILL APPLY THIS LIKE A MANTRA

&

THIS IS THE SWEET WONDERFUL EDWARD KA-SPEL

EDWARD KA-SPEL I MET TWICE  NOT ONCE

IN MY PRO-ACTIVE YEARS  PRE-PASSIVE YEARS

BACK IN THE NINETIES

I MET HIM TWICE  MAKING INTERVIEWS

HE ONLY HAD TO FILL THE QUESTIONNAIRE

MY INTERVIEWS WERE QUESTIONNAIRES TO FILL

SIX QUESTIONS  AND THEN I HAD THIS COMPARATIVE BASIS

I WANTED A COMPARATIVE BASIS

WITH THE BANDS I CONTACTED – WHAT THEY SAY

AND THOSE I CONTACTED TWICE

I WANTED TO SEE WHAT IS THE CHANGE

BETWEEN THEIR TWO INTERVIEWS

THE THE THE DILETTANTE DJ WANNABE

IT WASN’T DIFFICULT TO SEE

SO I HAD MY IMAGE THERE

HEY-HU-A-HEY

&

THIS IS THE HORSE GESTURE

YOU MAY NOT LOOK ASIDE

THAT’S WHAT THIS GESTURE SYMBOLIZES

THE TENDENCY HAS TO BE IN YOUR HEAD

THAT IS THAT YOU’RE GOING STRAIGHT FORWARD

AND DON’T LOOK ASIDE

IT’S VERY GOOD TOWARDS THE CAMERA

YOU KEEP THE CAMERA IN FOCUS

THAT’S THE EXPRESSION OF THE THIRD EYE

WITHOUT SHOWING IT

THIS IS THE THIRD EYE – SYMBOL OF FOCUS

IT’S DISCIPLINE

THE FOCUS COMMANDO IS DISCIPLINE

&

I KNOW  I KNOW  I KNOW

I’VE LEARNED IT  I LEARNED IT ALL

I LEARNED IT ALL  I LEARNED IT ALL

I KNOW IT NOW

JUST CAN’T DO IT YET

‘COMMENÇANT AVEC LA VOX HUMANA

OF CAPTAIN BEEFHEART

“A THICK CLOUD CAUGHT A PIPER CUB’S TAIL

THE MATCH STRUCK BLUE ON A RAILROAD TRAIL”

YOU CAN LISTEN TO CAPTAIN BEEFHEART ANY TIME

BUT I CAN’T PERFORM ANY TIME

SO I CONTINUE THE PERFORMANCE – THIS IS A BACKGROUND NOW

AND I DON’T REMEMBER EVEN WHAT WE HAD TO TALK ABOUT

&

IT’S A FANTASTIC TUNE YES

FANTASTIC RECORD TOO – THE TROUT MASK REPLICA

THE POP VIEW OF IT

BECAUSE YOU CAN ATTAIN THIS POP VIEW IF YOU WANT

AND THEN EVERYTHING LOOKS SO EASY

THE POP VIEW IS VERY SUGGESTED

OSH SUGGESTS IT AS A THERAPY

POP IS A THERAPY  NOT A FORM OF ART

IT’S A HEALING PROCESS – CLEANSING HEALING PROCESS

WHAT ELSE IS IT

&

AND THIS IS HENRY FLYNT AGAIN

HIS VOCALS ARE ON IT

IT’S FROM THE NO ROCK AND ROLL ALBUM

I DON’T WANNA NO ROCK AND ROLL

HE’S A POP ARTIST YOU SEE  HE’S A POP ARTIST

DENIAL AND HOMAGE ARE ONE GESTURE USUALLY

IN THE WORLD OF ENTERTAINMENT

&

THAT’S WHERE I WOULD HAVE LIKED TO BELONG

NOT TO THE CAVE OF A LONELY WOLF

THAT WASN’T MY INTENT AT ALL  NOT WHATSOEVER

I MIGHT BE PREDESTINED BUT DON’T TALK TO ME ABOUT INTENT

I NEVER EVER WANTED TO BE WHAT I AM – WHAT I WAS

AND THE WILL  THE WILL IS NOWHERE

MY FUTURE IS A DARK TUNNEL

BACKWARDS IT’S ALSO VERY DARK

IT’S ALL DARKNESS

MANY PEOPLE SAY THEY ARE FAMILIAR WITH IT

I BELIEVE THEM – BUT THEN THEY DON’T SOUND LIKE

OFF-STAGE THEY DON’T SOUND LIKE

AND I’M OFF-STAGE – I ALWAYS SOUND LIKE

ON THE STAGE I WOULD BE A CLOWN

BUT OFF-STAGE I’M VERY SERIOUS

I STAND BY ALL MY WORDS

TO THE CAMERA I LIE

&

THEY OPENED FOR THE ROLLING STONES IN THE SIXTIES

ITALIAN BAND  STORMY SIX

BECAUSE THEY’RE USUALLY A SEXTET

THEY DISBANDED LONG AGO THOUGH

THIS FANTASTIC ITALIAN MUSIC SCENE

GREATEST OF ALL FOREIGNERS ARE THE ITALIANS

I DON’T KNOW WHY I PUT IT AFTER HENRY FLYNT

WELL IT HAS A STRONG MEANING  IT’S SIXTIES

SIXTIES AVANTGARDE FINALLY – THIS IS VERY AVANTGARDE

WHAT IS AVANTGARDE AND WHAT IS NOT AVANTGARDE

HENRY FLYNT IS AVANTGARDE – CAPTAIN BEEFHEART IS NOT AVANTGARDE

AND STORMY SIX IS A POP GROUP

IT ALL FIT TOGETHER NOW – OH, BABY

IT’S THE TIME OF THE GREAT FUSION

IT’S THE TIME OF THE GREAT FUSION

DON’T YOU KNOW – IT’S THE TIME OF THE GREAT FUSION

THE AGE OF CONFUSION IS OVER  IF YOU WANT IT

IT’S THE TIME OF FUSION

&

IMPORTANT CHARACTERISTIC ABOUT OSH

IS THAT OSH IS CHANGEABLE

AND YOU CAN CHANGE IT

IN YOUR OWN LIKENESS YOU FORM OSH

THIS INTELLIGENCE YOU ARE KEEN TO SERVE

BECAUSE IT’S SO NICE AND FUNNY

HE IS A LOT LIKE WHAT YOU WANT HIM TO BE

WELL, IF YOUR INTENTIONS ARE GOOD

FORGET ABOUT REALITY, ALRIGHT

IMAGINE THE IDEAL SITUATION ALWAYS

ALWAYS THE IDEAL SITUATION YOU HAVE TO IMAGINE

IT’S VERY DIFFICULT

THAT’S WHY PEOPLE BECOME POETS LIKE ME

BECAUSE IT’S SO DIFFICULT

TO KEEP THE EYE FOCUSED

&

THE GRABBING HAND  THE GRABBING HAND

THE BEGGING HAND AND THE GRABBING HAND

I WANT THE GRABBING HAND

GIVE ME THE GRABBING HAND PLEASE

BECAUSE I HAVE THE BEGGING HAND

IT DOESN’T WORK

MY BEGGING HAND DOESN’T WORK

SO GIVE ME THE GRABBING HAND

ASK IT FROM SATAN, SAYS OSH

ASK IT FROM SATAN – HE HAS IT

I DON’T HAVE GRABBING HAND

&

“ALFREDO BINI PRESENTA

L’ASSURDO TOTO

L’UMANO TOTO

IL MATTO TOTO

IL DOLCE TOTO

NELLA STORIA

UCCELLACCI E UCCELLINI

RACONTATA DA

PIER PAOLO PASOLINI

CON L’INNOCENTE

COL FURBETTO

DAVOLI NINETTO”

‘TRANSLATES TO THE HAWKS AND THE SPARROWS

LE TITRE SONG OF ITS CREDITS A DEBUTÉ

CETTE ITALIAN ARCHIVE SET

PERFORMÉ PAR DOMENICO MODUGNO

DOMENICO MODUGNO SINGS THE CREDITS

THAT’S FAR THE WAY UP

VERY AVANTGARDE HMM

ITALIAN CINEMA IS NOT AVANTGARDE

ALSO IN CINEMA ITALY IS THE GREATEST

ITALY IS PRACTICALLY THE GREATEST IN EVERYTHING, RIGHT

LIKE ARCHITECTURE –

&

THIS IS ALSO FANTASTIC – THIS IS ADRIANO CELENTANO

‘THIS ONE WAS CALLED PRISENCOLINENSINAINCIUSOL

WHICH IS TOTAL GIBBERISH

TO DEMONSTRATE THE INCOMMUNICABILITY

AND IS CLAIMED TO HAVE INVENTED RAP’

&

“SATAN”  “SATAN”

O-O-O  GENESIS IS THIS , P-ORRIDGE  

ONE OF MY FUCKED-UP CONTACTS

IT’S MY INTERVIEW PERIOD

I HAD THIS INTERVIEW PERIOD

TRY TO INTERVIEW PEOPLE

MY STYLE IS ABOMINABLE IN THE SOCIAL INTERCOURSE

BECAUSE I’M NOT FUCKING THE SYSTEM

I’VE NEVER BEEN FUCKING THE SYSTEM  NEVER COULD IN ANY WAY

NEITHER PRO NOR CONTRA

I’M BEYOND PRO AND CONTRA

I HAVE NO IDEA WHAT I STAND FOR

STAND FOR NOTHING  JUST NOTHING AT ALL

I STAND FOR THE NOTHING ITSELF

THAT’S WHAT I STAND FOR

&

DAVID TIBET CAME HOME – HE IS ONE OF MY CLOSEST

HERE IN THE SOLITUDE I’VE BUILT UP THIS BROTHERHOOD AROUND ME

WHOM I WOULD LIKE TO HAVE AS A BROTHER

TWELVE BROTHERS I HAVE – CLOSE BROTHERS

I WOULD SAY BLOOD – AS CLOSE AS THE BLOOD IS

BUT IT’S NOT BLOOD YOU KNOW

THAT’S A FLUIDUM THAT IS NOT BLOOD

THAT IS THE FLUIDUM OF THE SPIRIT

THERE IS A SPIRIT

AND THERE IS A SPIRITUAL CONNECTION

AND SINCE THE SOUL CAN EXPRESS ITSELF THROUGH THE MEDIA

THIS CAN BE CHANNELLED

BEFORE IN THE SEPARATE VILLAGE  OUT OF COMMUNICATION

YOU DIDN’T HAVE MUCH CHANCE TO MEET SOMEONE

NOW THERE IS THE MEDIA

WE KNOW ABOUT EACH OTHER QUASI EVERYTHING

AND WE CAN COMMUNICATE, RIGHT

&

IF YOU’RE NOT IN THE INCROWD

THEN YOU DO IT IN YOUR ROOM

PART OF THE ALIEN YOGA EXERCISE

ALIEN YOGA EXERCISE IS ABOUT FINDING YOUR OWN IDENTITY

THAT DOESN’T BELONG TO THE USUAL HUMANOID CHARACTER

ALIENATE  ALIENATE  ALIENATE

DON’T WAIT FOR THE ALIENS TO CAME

THERE ARE NO ALIENS TO COME – WE ARE THE ALIENS

WE HAVE TO BECOME IT

THAT’S THE TASK ABOUT – THE MAJOR TEST

CAN WE BECOME ALIENS

A SUPERHUMAN RACE

WITH OUR TECHNOLOGY AND TASTE

WITH OUR ARTS AND WEAPONS

TALENTS AND DREAMS

WE’VE ALWAYS BEEN THERE

YET WE ARE NOT CLOSER NOW

SOMETHING CAME IN THE WAY OF EVOLUTION

WE CAN’T COMMUNICATE ANY MORE

WE’RE REDUCED TO A FICTION

&

I’M THE EXAMPLE OF IT

ALL I HAVE IS FICTION

I LIVE IN MY FICTION

AND IT’S A HORRIBLE HORRIBLE PLACE TO BE

MY FICTION CONFRONTS WITH REALITY – THEY CLASH

MY REALITY AND MY FICTION IS THE GREATEST WAR

EVER WAGED ON A HUMAN MIND

THE MINIMUM AND THE MAXIMUM

THE MINIMUM FIGHTS THE MAXIMUM

THE MAXIMUM FIGHTS THE MINIMUM

WHAT ARE THEY TESTING I DON’T KNOW

AND I DON’T WANNA KNOW

I DON’T EVEN CARE

&

WE DON’T CARE  WE DON’T CARE

CHARLOTTE DOESN’T CARE  DOESN’T CARE

SHE’S WITH HER TWELVE BROTHERS

DAVID TIBET IS ONE OF CHARLOTTE’S BROTHERS

THESE ARE ALL BOYS

MARC ALMOND IS ANOTHER ONE

THEY MAINLY COME FROM THAT GENERATION

BUT SHE’S NOT IN LOVE WITH GENESIS P. ORRIDGE

HE PUT HER DOWN – WELL IT WAS DJ HELMUT

MISPLAYING HIS ROLE

THESE ARE THE LAST PEOPLE I EVER WANT TO MEET

THAT’S WHAT HE SAID TO HIS COMPANION

THE COMPANION I FINALLY COULD TALK TO

EVEN SENT MY PLAYLISTS TOO SEE WHOM HE’S GOING TO MEET

WHAT A GOOD TASTE AND CORRECT ORIENTATION

THE UNREQUITED LOVE CATEGORY

UNIVERSAL DILETTANTE – UNIVERSAL DILETTANTE

“FROM DEEP WITHIN DESPITE THE RAIN

MY WORDS ARE WORN

SHE LOVES TO TALK INTO THE PHONE

NO MATTER WHO, NO MATTER WHEN

NO MATTER WHERE

NO BETTER THAN THE FAULTY LINE”