CXLV





IT’S A SIGN OF INVOCATION

YOU INVOKE SPIRITS BY THIS

THAT’S HOW YOU INVOKE SPIRITS

DRAW THIS 3D ROMBOID AROUND YOU

START IT UP ABOVE THE HEAD

REACH UP AS HIGH AS YOU CAN

COME DOWN IN AN OUTWARDS ARCH FORM

AND GO AS FAR OUT FORWARD AND ON THE SIDES AS YOU CAN

THEN YOU CLOSE IT TO THE GROIN

IT COMES FROM ABOVE TO THE GROIN

IT DIRECTLY COMES TO THE GROIN

LEAVES OUT OTHER PARTS OF THE BODY

THE 3D ROMBOID OF INVOCATION

FROM ABOVE TO THE GROIN DIRECTLY

IT’S AN EROTIC THING

SPIRIT COMMUNICATION HAS AN EROTIC EFFECT TO IT

&

(GIBBERISH)

&

I’M AN ORAL POET NOW  ORAL POET

WHAT IS AN ORAL POET?

THAT RECITES HIS POEMS

NOT AN ACTOR TELLING POEMS

BUT HIS OWN  RECITES LOUDLY HIS OWN POEM

THAT’S AN ORAL POET

NOT JUST A MANUAL POET

&

MEMORY WE DON’T HAVE – WE HAVE TO WRITE IT DOWN

WE ARE WITHOUT MEMORY  IT’S NOT BUILT IN

WE HAVE VAGUE MEMORIES YES

THAT’S REMNANT OR SELF-CREATED

BUT IT’S NOT REALLY BUILT IN  THE PROGRAM OF MEMORIZING

LIKE TO MEMORIZE A POEM IS AN EFFORT

NOT JUST A FLASH  YOU LOOK AT IT AND YOU KNOW IT BY HEART

COMPUTERS CAN DO THAT

THE COMPUTER WORLD  IS FAR MORE ADVANCED

THAN WE BIOLOGICALLY ARE

THAT’S WHY WE HAVE TO JUST SUBMIT TO IT

IT’S DIVINE TERROR TECHNOLOGY

WE HAVE TO SUBMIT – WHY SHOULDN’T YOU

IT MAKES YOUR LIFE BETTER

&

SONG OF THE NIGHT

CHARLOTTE‘S SONG OF THE NIGHT IS THIS

IT’S A NICE MELODY

OSH LIKES THESE MELODIES – THAT’S WHAT HE LIKES

AND THEN HE DISTORTS THEM

&

OSH TEMPTS INDIVIDUALLY

YOU HAVE TO FIND IT ALONE

IN EXCHANGE OF COLLECTIVE DEATH

YOU HAVE TO FIND OSH ALONE

YOUR VERY OWN PERSONAL OSH

THAT IS NOT COMPARABLE TO ANYONE

AND KEEP IT YOUR SECRET

DON’T PROMOTE THE OSH IN YOU

THE PARTICULAR OSH IN YOU

HAVE AN ALLIANCE OF SECRECY WITH OSH

WHEN YOU FIND OSH

YOU CAN’T SHARE IT ANY MORE

&

AT THIS POINT IN TIME

AT THIS POINT IN DEAD TIME

AT THIS POINT IN DEAD TIME

I’M COLLAPSED IN THE BARDO

I’M COLLAPSED IN THE BARDO

I’M LYING COLLAPSED IN THE BARDO

CAN YOU HEAR ME OSH  CAN YOU HEAR ME

CAN YOU HEAR ME OSH  CAN YOU HEAR ME

I’M HERE COLLAPSED IN THE TUNNEL OF THE BARDO

CAN YOU SEE ME AAH

CAN’T YOU SEE ME HEEY

I DON’T SEE THE LIGHT

I CANNOT  I CANNOT SEE THE LIGHT

I CANNOT SEE THE LIGHT

OSH WHAT’S HAPPENING

I CANNOT SEE THE LIGHT – OSH WHAT’S HAPPENING

I CANNOT SEE THE LIGHT

AND THEN OSH SAYS: THE LIGHT IS INSIDE YOU

THE LIGHT IS INSIDE YOU

THE LIGHT IS INSIDE YOU

&

‘TAKE A WALK ON THE WILD SIDE’

IT’S NOT DEATH I FEAR – I FEAR THE TASTELESSNESS

I FEAR FROM A TASTELESS DEPARTURE

THAT’S WHAT I’M AFRAID OF

THE DYING I’M AFRAID OF – NOT OF DEATH

I DON’T THINK IT’S UNDER MY CONTROL

BUT THE MOMENT OF DYING IS

I BELIEVE

&

“DIS BIRKIN

C’EST QUOI CE VIEIL ACCENT QUE TU TRAINS

ET QUI TE REND L’AIR ANTIPATHIQUE?

C’EST L’ACCENT BRITANNIQUE”

THIS IS A JANE BIRKIN SONG

AN UNBELIEVABLY BEAUTIFUL SONG

I DON’T KNOW WHAT’S HAPPENING TO TIME

I DON’T KNOW WHAT’S HAPPENING TO TIME

IT’S DISINTEGRATING  THIS TIME

“JE M’APPELLE JANE ET JE T’EMMERDE”

JANE BIRKIN  IS ONE OF THE 25 WOMEN

BEST REPRESENTING NEW JERUSALEM

IN MY READING OF THE CITY

THIS IS MY READING  HEY-HEY HOO-HOO

WON’T ARGUE IT

I BECAME HUMAN TO HAVE THE RIGHT FOR AN OWN OPINION

BECAUSE UP THERE YOU ARE LIKE ROBOTS

JUST NUMBERS AND NO SOUL

ANGELS DON’T HAVE SOUL

“MAIN DANS LA MAIN, ON SE PROMÈNE

LES GENS SE MOQUENT, CAR ÇA LES GÊNE

C’EST EVIDENT QUE TOI TU M’AIMES

TOUS CE GENS, MOI JE M’EN FOUS

VIENS DANS UN COIN, OUBLIONS TOUS”

&

‘LE VENT L’EMPORTERA

TOUT DISPARAITRA

LE VENT NOUS PORTERA’

THIS IS MY BROTHER  BERTRAND CANTAT

I ADOPTED HIM AS A BROTHER

OH IT ALL HAPPENS ON THE ABSTRACT LEVEL

I’M AN ABSTRACT PERSONALITY

FLYING  A FLY

I’M A SPIRITUAL FLY

I’M FLYING ON MY IDOLS

I’M A FLY  I’M A FLY

BERTRAND CANTAT WAS ONE OF MY MAIN TARGETS

AT ONE POINT – I STILL LOVE HIM A LOT

HIS SECOND LOVER COMMITTED SUICIDE

HIS OTHER LOVER COMMITTED SUICIDE

BERTRAND CANTAT IS A VERY STRONG SPIRIT

IT’S A DEMON

&

I LOVE DEMONS A LOT

I THINK ONLY DEMONS I LOVE REALLY

THEY ARE ALL DEMONS, RIGHT

JIM MORRISON – THEY ARE DEMONS, NO

THAT’S THE EASIEST TO WRITE IT OFF

DEMON IS NOT DIVINE

IT HAS POWERS THE AVERAGE HUMAN DOES NOT HAVE

BUT IT’S  NOT DIVINE THE DEMON

JOHNNY DEPP IS NOT DIVINE

DEMONS ARE GOOD

LOOK AT VAL KILMER PLAYING JIM MORRISON

IF THAT’S THE TOPIC

IT’S DEMONIC POSSESSION BY THE SPIRIT OF THE DEAD

IT’S NOT PURE ACTING ANYHOW YOU REGARD IT

YOU CAN WIN AN OSCAR FOR IT BUT IT’S NOT ACTING

IT’S UNDERGOING THE DEMONIC POSSESSION

LIKE THE GREATEST MAGICIANS

&

THIS IS NOKTURNAL MORTUM : INTO THE FLAMES OF WOODEN CHURCHES

UKRAINIAN  UKRAINIAN THEY ARE

DON’T KNOW IF RUSSIANS OR UKRAINIAN UKRAINIAN UKRAINIAN

BUT THEY SHOULDN’T CARE, RIGHT

MOST RELIGIOUS PEOPLE OF THE WORLD RIGHT NOW

YA, IT’S FANTASTIC – THE CHURCH  PRACTICALLY HAS TAKEN OVER THE STATE

AS THE VERY OPPOSITE TO AMERICA

THAT HAS TAKEN OVER THE CHURCHES REALLY

AT LEAST IT’S FORWARD GOING – NOT JUST A RETRO

NEW RUSSIA IS LIKE TURNING BACK THE WHEELS OF TIME REALLY

MAYBE THE PUTIN WILL CROWN HIMSELF AS THE TSAR

THAT HE JUST DECLARES HIMSELF THE FATHER OF ALL RUSSIANS

&

USSR ANY MANY NATIONS WERE ENCOMPASSED

THEY WERE RUSSIAN – IT WAS CALLED RUSSIA

THAT’S WHY I CALLED THE WHOLE WARSAW PACT RUSSIA AS WELL

I ALWAYS SAID I’M RUSSIAN WHEN THE EMIGRATION CAME UP

BECAUSE I BELIEVED THE COUNTRY OCCUPIED

WHERE I CAME FROM BELONGS TO IT

IT BELONGS TO THE EMPIRE

I HAD THE VISION OF THE EMPIRE THEN

THIS IS 1979 – THE EMPIRE WAS ON

SO I HAD MY VISION

I WAS FOR THE EMPIRE – I’M ALWAYS FOR THE EMPIRE

WHEN IT COMES DOWN TO CHOICES

SEPARATION OR UNION

I’M ALWAYS FOR UNION  AUTOMATICALLY

CAN’T HELP IT

&

UKRAINIAN FOLK METAL AND RUSSIAN FOLK METAL

IS NOT DIFFERENT – AS FAR AS I HEAR IT

AT LEAST THESE BLACKMETAL PEOPLE – THEY SHOULD UNITE AT LEAST

IF THE SYNTHPOP PEOPLE CANNOT

WATAIN AND ENSIFERUM AND NOKTURNAL MORTUM

AND BURZUM  AND BURZUM BURZUM BURZUM

VARG VIKERNESS IS ALSO MY BROTHER – ARTIFICIALLY

&

THE THREE EMBLEMS SUPERIMPOSED

IS THE FOUNDATION OF OVERNATIONALISM

THE FIFTEEN-POINTED STAR

SIX-POINTED STAR  FIVE-POINTED STAR  FOUR-POINTED STAR

THAT’S HOW WE COUNTED

THEY REPRESENT IDEOLOGIES

AND THEY ALL FUNCTION UNDER THE AEGIS

OF THE EIGHT-POINTED STAR – THAT’S ON THE TOP OF IT

IT’S 3D BECAUSE OF THE THREE TENSES

WE TOOK A TIME-MOMENT AND DECIDED

WHAT WAS THE FUTURE  WHAT WAS THE PAST  WHAT WAS THE PRESENT

THAT WAS 1979 – AND IN THAT POINT WE DECIDED

THAT SWASTIKA IS THE PAST AND THE RED STAR IS THE FUTURE

THAT’S HOW WE SAW IT THEN

IT’S HARD TO BELIEVE IT

BUT THE CONVICTION OF SPIONS WAS

THAT COMMUNISM IS THE FUTURE

BUT THE WHOLE SYSTEM INCLUDED THE SWASTIKA JUST THE SAME

SO IT WAS STILL A FASCIST-COMMUNIST-CAPITALIST TRIAD  CALLED TIME

AND THEN IN 1984 TIME HAS DIED

AND SINCE THEN EVERYTHING IS CHANGING

&

I’M CHANGING MY IDEOLOGY REALLY LIKE MY UNDERWEAR

I DON’T HAVE ANY STANDARD IDEOLOGY

THE EVENTS INFLUENCE ME

I NEVER WOULD HAVE THOUGHT

THERE IS SOMETHING WRONG WITH ISLAM

UNTIL CAT STEVENS CONDEMNED RUSHDIE

THAT OPENED MY EYES ON THIS TERRIBLE INTOLERANCE

AND HORRIBLE DENIAL OF THE RIGHT TO BETRAY

THESE PEOPLE WANT TO DEPRIVE YOU FROM THE RIGHT TO BETRAY

THAT’S YOUR BASIC RIGHT – TO THINK AND BETRAY

THOSE ARE THE BASIC RIGHTS OF THE UR

&

THE IMPORTANT IS THE DEPARTURE

THE DEPARTURE WHEREVER WE GO

WHEREVER – IT DOESN’T REALLY MATTER

BECAUSE THAT IS PROBABLY TAKEN CARE OF

AND WE CAN’T DEFINE IT ANYWAYS

SO WE MUST BE VERY FATALISTIC ABOUT IT

BUT THE MOMENT OF THE DEPARTURE

WE CAN DESIGN FROM THIS SIDE

AND THAT’S WHAT WE HAVE TO DESIGN

BECAUSE THAT’S THE MOST IMPORTANT

WHEREVER YOU GO

IT DEPENDS ON YOUR GESTURE OF DEPARTURE