NOTHING COMES - ANYTHING GOES
"…YOU'RE A REAL MEAN GUY
I'D LIKE TO CLIP YOUR WINGS SO YOU CAN'T FLY
I'M IN LOVE AND IT'S A CRYING SHAME
AND I KNOW THAT YOU'RE THE ONE TO BLAME
HEY HEY SET ME FREE
STUPID CUPID…"
I GOT A NEW TOY
IT'S A DOG I GUESS
IT'S A DOG DOGLIKENESS
&
IT'S VERY BAD THAT I DON'T REMEMBER
WHAT THE PRAYING GESTURE IS
HAS TO DO SOMETHING WITH THE HANDS THAT'S FOR SURE
WHEN YOUR HANDS ARE PRAYING
THEY ARE NOT WORKING
THE TWO BASIC FUNCTIONS OF THE HANDS
BESIDES MANY OTHERS IN-BETWEEN
TWO-POLAR FUNCTION OF THE HANDS
IS WORK AND PRAYER A-HA-HA-HA-AA
PUT TOGETHER FLAT THE HANDS
MEANS YOU'RE NOT WORKING - YOU'RE PRAYING
YOU'RE ON STRIKE
THE ACTUAL CONTENT OF IT IS
IT IS TALKING TO THE SUPERIOR
IT'S AN ANTENNA YOU CREATE AN ANTENNA
PRESSING THE PALMS TOGETHER YOU CREATE AN ANTENNA
AND THEN WHAT YOU THINK GOES UP
IT IS VERY PRIMITIVE PERCEPTION
IT'S ALL THIS BODY ELECTRICITY EMANATIONS
AND ALL THE SHIT THAT COMES WITH THE BODY
&
"ONLY THE LONELY
KNOW THE WAY I FEEL TONIGHT
ONLY THE LONELY KNOW THIS FEELING AIN'T RIGHT"
ROY ORBISON IS VERY GOOD FOR THE PRAYER
WHY NOT
"THERE GOES MY BABY, THERE GOES MY HEART
THEY'RE GONE FOREVER, SO FAR APART…"
THIS CLIPPING CLAPPING
CLIP-CLAP OOOH
IT'S A THIRD FUNCTION OF THE HANDS
JUST FOR THE TRIANGULAR
IT DOESN'T SEEM TO BE SO RELEVANT
LIKE MINING AND CLAPPING
&
MUST HAVE BEEN GROIN-RELATED
IT WAS PROBABLY
NO I DON'T WANT TO BE OBSCENE
I HATE THE IDEA TO BE OBSCENE
JUST WANT TO BE REAL
WHAT IS OBSCENE
LARRY FLYNT FUCKING HIS MOTHER WITH THE SHITBAG
THAT'S OBSCENE, RIGHT - NINETY YEARS OLD MOTHER
I'VE READ ABOUT THIS AND I WONDER IF IT REALLY HAPPENED
OR WAS AN IMAGINATION
BUT EVEN IF IT WAS IT'S EXTREMELY CORRECT
THIS GUY REALLY WANTS TO GO TO HEAVEN
SO DOES ABSOLUTELY EVERYTHING FOR IT
NOW THEY ARE EXECUTING HIS KILLER?
HIS PARALYZER
THEY HAVE EXECUTED HIM THESE DAYS
IT'S A RACIST - THE WHOLE THING HAS NO MEANING
IT'S A RACIST THE KILLING WAS RACIALLY MOTIVATED
IT WASN'T SEXUALLY MOTIVATED
BUT A RACIAL MOTIVATION TO SAVE SEX
FROM TE INTERRACIAL, YA
THE GUY WASN'T AGAINST SEX - HE WANTED TO SAVE IT
TARA-TI-TI-TI-TIRAM
&
OOOH THE DECEIVER THE DECEIVER
THE DECEIVER THE DECEIVER
THE DECEIVER THE DECEIVER
OOH-HO-HO-HOO
WHAT CAN YOU DO WHAT CAN YOU DO
WHEN THE DECEIVER COMES AROUND
COMES AROUND
DETACH AND I SING THIS SONG
THE DECEIVER THE DECEIVER
WHEN THE DECEIVER THE DECEIVER
WHEN THE DECEIVER
WHEN THE DECEIVER THE DECEIVER
COMES AROUND
&
IF YOU WANT MY TOPICS I WOULD LIKE TO TALK ABOUT SEX AND CRIME
WHAT A COMBINATION
THE MAGNETIC SITUATION I FIND MYSELF IN
IS EXTREMELY OLD-FASHIONED
IT'S NOT NOT MODERN
THE RELATION BETWEEN SEX AND CRIME IS VERY OBSCURE
THE LINE IS ERASED
IT HAS NEVER BEEN DRAWN IN THE FIRST PLACE
BUT WHATEVER YOU TRY TO DO TO CREATE IT
IT AUTOMATICALLY ERASES
THAT'S HOW IT FUNCTIONS - CAN DO NOTHING WITH IT
WE HAVE TO GO ON TRYING TO DEFINE IT
THE LINE BETWEEN CRIME AND SEX
FIRST OF ALL THE MORALISTS
DON'T EVEN ACCEPT THE EXISTENCE OF THAT BORDERLINE
THAT'S WHERE IT STARTS
SEX SLAVERY HAS NEVER BEEN A GREATER BUSINESS EVER ON EARTH
NEVER EVER NOT IN THE ROMAN TIMES
HOW ORGANIZED CRIME HAS BECOME WITH THE INTERNET
THIS IS UNBELIEVABLE EVOLUTIONARY STEP
WHAT WORLD WIDE WEB IS, HM
IT'S INFERNO, DARLING
WORLD WIDE WEB IS THE EQUIVALENT TO INFERNO
ENJOY IT WE ENJOY EVERYTHING
DANTE DIDN'T KNOW WHAT TO EXPECT
&
THE PRAYER WHAT WAS THE PRAYER
THIS IS THE HANDSHAKE THE HANDSHAKE WE KNOW
YOU REACH LEFT HAND WITH THE PALMS OUTWARDS
WHEN YOU MEET SOMEONE
AND HE REACHES RIGHT HAND
THE POINT IS THAT THE INITIATIVE OF THE HANDSHAKE
GOES WITH THE LEFT HAND OUTWARDS
THAT'S THE SECRET HANDSHAKE OF THE UR, YES
HAVE TO HOLD THE THUMB WIDE AWAY
THAT THE OTHER CAN EASILY GRAB YOU
"I WANT SOME RED ROSES FOR A BLUE LADY"
&
IT AIN'T EASY - IT'S ALWAYS GETTING HARDER
THAT'S THE IDEA
I UNDERSTAND HOW IS IT
I DO NOT UNDERSTAND WHY
IT IS ALWAYS GETTING HARDER
IT MAKES THE PROJECT VERY TRANSPARENT
IT SHOULD GO EASIER
BEST WAY WOULD BE IF IT GOES EASIER
YOU CANNOT START HARD AND GO EASIER
SLOWLY HAVE TO BUILD IT UP
SO THE END IS THE HARDEST?
DEATH IS THE HARDEST, NO
YES OF COURSE IT'S THE HARDEST
THAT'S WHY WE ARE LEARNING TO MAKE IT EASIER
ALL LIFE LONG
SO THE USUAL ARS MORIENDI TARA-RIRA-RE
YOU DON'T HAVE TO TALK ABOUT ARS MORIENDI
EVERYBODY KNOWS IT- EVERYBODY DOES IT
RIGHT NOW AT THIS POINT IN TIME
&
NO NO NO NO NO THE HARDEST IS TO SPEAK OUT THINGS
TO SPEAK OUT THINGS THAT THEY ARE NOT TASTELESS
WORDS HAVE TASTE - EAT THEM
GET OUT GET OUT OF ME
GET OUT OF ME YOU FUCKING JEW
LEAVE ME ALONE
&
"WE FIRED OUR GUNS AND THE BRITISH KEPT A-COMIN'
THERE WASN'T NIGH AS MANY AS THERE WAS A WHILE AGO
WE FIRED ONCE MORE AND THEY BEGAN TO RUNNIN'
ON DOWN THE MISSISSIPPI TO THE GULF OF MEXICO
WE LOOKED DOWN THE RIVER AND WE SEED THE BRITISH COME
AND THERE MUST HAVE BEEN A HUNDRED OF 'EM BEATIN' ON THE DRUM
THEY STEPPED SO HIGH AND THEY MADE THEIR BUGLES RING…"
THIS IS THIS GREAT BATTLE SONG
&
IF I HAVE A TOY HORSE AT MY GROINS
THE SALUTE LOSES ITS POWER?
THAT'S THE MALE VERSION OF IT
MALE VERSION OF THE SHAKE
WITH THE STRAIGHT ARM COMES THREE
THREE AND TWO
UU-WAH-WAH
MAKE IT EVEN MORE OBSCENE, OKAY
THIS IS THE HIPS THE HIPS IS THE SAME
ONE-TWO-THREE FOUR-FIVE
ONE-TWO-THREE FOUR-FIVE
AND THE MALE IS -
THE SALUTE RHYTHM IS THIS
AND THEN YOU CAN SLOW IT DOWN OR SPEED IT UP
BUT IT'S IMPORTANT THAT IT INCLUDES THE HIP MOTION
I DON'T THINK THERE IS MUCH SENSE
TO SALUTE ANYONE ANYTIME WITHOUT A HIP MOTION
IF YOU ARE IN A RALLY YOU SALUTE LIKE THAT
YOU HAVE TO MOVE YOUR HIPS TO IT
IT'S NOT STIFF IT'S NOT STIFF IT'S FUNKY
IT'S PARTY TIME UU-UU-UH
THAT'S THE COMMAND OF THE NEW ORDER
THANK YOU
&
WE'RE DANCING NOT MARCHING
WE'RE NOT GONNA MARCH - I GUARANTEE YOU THAT
THE UR WON'T MARCH - ONLY IF THEY FEEL LIKE
THERE WILL BE NO FORCED MARCH - BUT FORCED DANCE YES
"SLAP YOUR THIGHS AND SING THIS LITTLE SONG
MY MAMA TOLD ME IF I WAS GOODY
THAT SHE WOULD BY ME A RUBBER DOLLY"
I'LL CUT THIS OUT - I CANNOT KEEP THIS IN
THIS VIDEO IS A FICTION
IT'S A FICTION BY THE FACT THAT IT IS RECORDED
AS SOON AS IT IS RECORDED IT IS A FICTION
THERE IS A TRANSMISSION WHICH DRAWS A LINE
AS SOON AS IT'S DOCUMENTED IT'S A FICTION
EVEN IF IT'S HAPPENED
ALL THE REALITY TELEVISIONS THEY ARE ALL FICTION
IT'S VERY STRANGE HOW IT TRANSFORMS
THE ENTIRE HEMISPHERE TRANSFORMS INTO FICTION
BY THE MEDIA AGE - AS OPPOSED TO BRONZE AGE
WELL, EVERYTHING TRANSFORMS NOW
INTO AN OTHER DIMENSION
IT'S VISUAL
"LUCILLE, PLEASE COME BACK WHERE YOU BELONG
I BEEN GOOD TO YOU BABY, PLEASE DON'T LEAVE ME ALONE"
&
ANYONE COMES WITH THE SAME PERFECTION NOW
IN A HUGE HUGE QUANTITY
REMAINING UNDERGROUND IN THE DARK
A HUGE QUANTITY IN THE DARK HAVE BEEN BRED TO TAKE OVER
IT'S A HUGE ARMY WAITING
THEY'RE NOT WAITING
BECAUSE THEY DON'T KNOW THAT THEY ARE AN ARMY
SOME OF THEM SOMEWHAT KNOW
BUT IT'S NOT A GENERAL CONVICTION
NOT EVEN THE NEO-NAZI NORWEGIANS THINK IT BEING AN ARMY
WELL UR IS AN ARMY AND THEY ARE
BUT THE UR ISN'T
THEY ARE - BUT THE UR ISN'T
THAT'S A COMPLICATED CASE, ISN'T IT
THESE SUPERCOMPLICATED RIDDLES OF YOURS
OOH MY HA-HOO=HAY
WE ARE NOT
THEY ARE BUT WE ARE NOT
THEY ARE BUT THEY AREN'T WE
WE ARE NOT - THEY ARE
COMING DOWN ON THE MOUNT OF DEPRESSION
HUGE ARMY OF VIKINGS - ELECTRONIC WEAPONS
THIS IS THE VISION EVERYBODY HAS
THE MEANING OF THIS ALLEGORY IS
THAT WE ARE AT THE POINT
OF THE MEETING OF THE FUTURE AND THE PAST
&
THIS IS NOT PRAYING GESTURE AS WELL
THIS IS NOT PRAYING - TWO MOTIONS
THERE ARE SINGLE GESTURES AND DOUBLE GESTURES
THIS IS A DOUBLE GESTURE - THE FIST IS A SINGLE GESTURE
THE MENACE SIGN - MEANS "NO PASARAN" BASICALLY
BUT WE CHANGED THE REGULAR FIST
WHERE THE THUMB IS BESIDE
TO THIS CLOSED FIST - CALL IT CLOSED FIST
THAT'S OUR FIST - IT MEANS THE SAME
IT'S A FIST
AN OLD FIST WITH A NEW POSTURE
OSP HAS AN AGENDA
THE OVERNATIONAL SOCIALIST PARTY DO HAVE AN AGENDA
KILL THE CRIME IS THE FOCUS
WE START AT THE BOTTOM
FIRST WE CLEAN THE BOTTOM AND THEN CLEAN THE AIR
I'M SORRY I'M VERY SORRY
&
DON'T CRY CHARLOTTE DON'T CRY
DON'T CRY - YOU'LL DO IT
YOU'LL MAKE IT YOU'LL MAKE IT CHARLOTTE
DON'T CRY CHARLOTTE DON'T CRY
CHARLOTTE DON'T CRY - YOU'LL DO IT
I'LL DO IT
WE'LL DO IT
SUPERMAD SUPERMAD
(CLAP CLAP CLAP)
OSH-RA-TA
THAT IS FAKE
EVERYTHING IS FAKE
WHATEVER I CAN DO IS FAKE
CAN'T HELP IT OH
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